Joseph Reagle
One of the striking characteristics of the new mass media—radio, television, and the movies—is that they give the illusion of face-to-face relationship with the performer…
The most remote and illustrious men are met as if they were in the circle of one’s peers…We propose to call this seeming face-to-face relationship between spectator and performer a para-social relationship. (HortonWohl 1956, p. 215)
It is an unvarying characteristic of these ‘personality’ programmes that the greatest pains are taken by the persona to create an illusion of intimacy. We call it an illusion because the relationship between the persona and any member of his audience is inevitably one-sided, and reciprocity between the two can only be suggested. (HortonWohl 1956, p. 216)
Who do you have a parasocial relationship with?
How deep is your investment?
Is there a community aspect to this?
What are the two main concepts employed? (MalikHaidar 2020)
participant-observation and interviews of 10 stans
KPop is a Community of Practice
Through peripheral participation (the initial contribution as a newbie), [newcomers] are able to contribute and gradually make their way towards being noticed and gaining followers.
the difference between Lave and Wenger’s (1991) idea … and the K-Pop stan twitter community in question is the fact that … very few [new accounts] rise to the status of big accounts (MalikHaidar 2020, p. 11)
Go around
How do you describe the difference between a parasocial relationship and community of practice?