Yesterday’s rose stands only in name, we hold only empty names. – Bernard of Cluny, 12th century
- the author
- history/context
- the reader
(This is from a murder mystery set in a medieval abbey that touches on meaning and truth: The Name of the Rose.)
Reception studies share with other hermeneutic approaches … the fundamental assumption that the meaning of a message—including all forms of media message—is not fixed or pre-given but must be interpreted by its recipient. (LivingstoneDas 2013, p. 2)
In the late 70s, Hall suggested communication happens by way of processes of encoding and decodings, a process by which meaning is imposed and contested:
By picturing the heroine in relative positions of weakness, romances are not necessarily endorsing her situation, but examining an all-too- common state of affairs in order to display possible strategies for coping with it. (Radway 1984/1991, “Reading the romance”, p. 75)
Romance reading and writing might be seen therefore as a collectively elaborated female ritual through which women explore the consequences of their common social condition [Radway 1984/1991, “Reading the romance”, p. 212]
[pop culture texts] are selected, purchased, constructed, and used by real people with previously existing needs, desires, intentions, and interpretive strategies. (Radway 1984/1991, “Reading the romance”, p. 221)
By reinstating those active individuals and their creative, constructive activities at the heart of our interpretive enterprise, we avoid blinding ourselves to the fact that the essentially human practice of making meaning goes on even in a world increasingly dominated by things and by consumption. (Radway 1984/1991, “Reading the romance”, p. 221)
we who are committed to social change learn not to overlook this minimal but nonetheless legitimate form of protest. We should seek it out not only to understand its origins and its Utopian longing but also to learn how best to encourage it and bring it to fruition. (Radway 1984/1991, “Reading the romance”, p. 222)
In 1990 75-85% of total sales were by women (Grodin 1991, “The interpreting audience”, p. 405). (Similar today.)
As with the romance genre, self-help is dismissed. And does the genre empower its readers, or reinforce the dominant ideology?
Nancy found The Power of Positive Thinking (Peale, 1952) to see if religion could be helpful and useful, rather than something being forced.
Beth found most everything to be new and different and outside her upbringing. (Grodin 1991, “The interpreting audience”, p. 409)
Searching for one’s own book was important, as it was a conscious expression of control over one’s life, and was a means to connect to a public world; later on, increased selectivity seems to be an indicator of self-improvement, healed, and a diminishment of one’s vulnerability to advertising hype on a book jacket (Grodin 1991, “The interpreting audience”, p. 410)
Most of these women experienced a sense of choice and control yet their anonymity as readers gave them protection from negative face threats associated with the reception of help (Grodin 1991, “The interpreting audience”, p. 411)
Readers found the case/stories compelling as a practical way of understanding ways of addressing problems; help the readers get over the feelings of self-centeredness, of not being alone with a problem (Grodin 1991, “The interpreting audience”, p. 411)
Reading a self-help book connects the reader with strangers, with those outside one’s day-to-day interpersonal world. Such a connection may be beneficial because it provides the anonymity and enables the unshackling that can result from leaving the constraints of community. [Grodin 1991, “The interpreting audience”, pp. 412-413]
Margaret objected to the need to to be an eagle, alone, and enjoying life on your own, before you can begin a relationship; you needn’t be perfect and wonderful before connecting with another (Grodin 1991, “The interpreting audience”, p. 403)
Feminist critic and self-help author Harriet Lerner (1999) worries that most books are trying to perfect and improve women by teaching them to “privatize, individualize, and pathologize” their problems rather than understand them as an outgrowth of inequality (p. 15) (Grodin 1991, “The interpreting audience”, p. 406)
Few participants were critical of the existing institutional order, and there is virtually no talk of political change (Grodin 1991, “The interpreting audience”, p. 417)
I place this day, my life, my loved ones, my work in the Lord’s hands. There is no harm in the Lord’s hands, only good. Whatever happens, whatever results, if I am in the Lord’s hands it is the Lord’s will and it is good.
Formulate and stamp indelibly on your mind a mental picture of yourself as succeeding. Hold this picture tenaciously. Never permit it to fade… Do not build up obstacles in your imagination.
Write down a genre you’d like to see a “reception” study of?
What surprises might be found?
What was the genre you’d like to see a “reception” study of?
Why?
What surprises might be found?