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<title type="text">Joseph Reagle</title>
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Open Communities, Media, Source, and Standards
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<id>http://reagle.org/joseph/blog/method/plagarism-and-primary-sources</id>
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<author>
<name>Joseph Reagle</name>
<uri>http://reagle.org/joseph/blog/method/plagarism-and-primary-sources</uri>
<email></email>
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<rights>Copyright 2003-2010 Joseph Reagle</rights>
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<updated>2005-10-08T21:40:29Z</updated>
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<entry>
<title type="html">Plagiarism and primary sources</title>
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<id>http://reagle.org/joseph/blog/2005/10/08/plagarism-and-primary-sources</id>
<updated>2005-10-08T21:40:29Z</updated>
<published>2005-10-08T21:40:29Z</published>
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&lt;p&gt;&lt;em&gt;Week eight: what accounts for the recent spate of scandal surrounding
&quot;facts, fictions, and fraud&quot; in American historical scholarship? How might
knowledge of these episodes affect or alter the way you pursue your own
scholarship?&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;In &quot;Past Imperfect&quot; Hoffer
(2004) offers a number of arguments as to why there have been so many
incidents of alleged fraud in the historical profession: the aspirations of
authors to write to the popular market, the almost industrial system --
employing many assistants -- with which books are researched and authored,
the demands by publishers for more books, the popular audiences&apos; demand for
entertainment rather than scholarship, the eagerness of the ideological
opponents to take these authors down a notch, and an inability for the
profession to police itself.&lt;/p&gt;

&lt;p&gt;While authors such as Michael Belleselis, who falsified data in order to
argue that gun ownership was not common in early American history, deserve
rebuke and sanction, I felt sympathetic to some of the authors (i.e. Stephen
Ambrose) who got into trouble for borrowing primary source quotations and
tweaking the surrounding secondary material and presenting it as his own with
a citation to the secondary source. Was the problem:&lt;/p&gt;
&lt;ul&gt;
  &lt;li&gt;Ambrose was not specific enough in a citation? Hoffer implies that by
    using a range of pages in a citation such plagiarizing authors make it
    more difficult for readers to identify the secondary source text has been
    lifted and slightly altered.&lt;/li&gt;
  &lt;li&gt;Ambrose did not alter the text sufficiently so as to no longer be
    considered plagiarism? What then is the right threshold? I ask this
    myself sometimes when I find I can easily make an improvement by
    reworking a sentence from a secondary author but some sequences of words
    from the secondary source author are sufficiently generic and appropriate
    such that they can&apos;t be written in a different way without being
  awkward.&lt;/li&gt;
  &lt;li&gt;Ambrose appeared to have access to the primary source, when in fact he
    did not. This is the complaint I most sympathetic to because one of the
    safeguards built into scholarship is we do not necessarily take
    everything others have said for granted. However, this issue, too, has
    presented some difficulties to me. While citation guides in the various
    publishing styles out there are always quite explicit in how to cite
    primary sources, they often lack information on citing primary sources
    found in secondary sources. With the availability of sources on Google
    Print and Amazon, one of my practices is to find the primary source on
    the Web -- often another secondary author. So for example, if I find an
    interesting excerpt cited in a secondary source, I can then investigate
    the primary source, what was actually written, and whether I want to read
    that book. However, in some cases I don&apos;t feel the need to read the book
    but have read the appropriate chapter, section, or series of pages in
    which the excerpt occurs. Can I then use that excerpt as a primary
    source? I sometimes do. However, by making a primary source citation and
    including it in my bibliography, do I give the appearance of having read
    that whole work? (Indeed, in many of my graduate courses the professors
    supply two or three chapters out of the book for the students to read. I
    frequently cite such materials.) In fact, can the readers assume that an
    author has thoroughly read every work appearing in a bibliography? (One
    way address this problem is to note and include in the bibliography
    specifically which chapters or pages one has read.) I think not.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;However, regardless of how one might answer any of these questions, my
concern is with the veil that shrouds practical discussion about these
issues. For example, I feel quite vulnerable in discussing my usage of Google
and Amazon above. I feel as if in raising these questions I&apos;m making myself
suspect. It is as if everyone assumes we know exactly what is right, when in
fact there are many gray areas. (And the topic of plagiarism is not the only
one shrouded in this mist, there are gray areas around how we make use of
copies of copyrighted works in the academy, as well as how to finesse &quot;human
subjects&quot; review board bureaucracy.) Typically, these issues, when abuse is
finally caught, are addressed by overly strident, sometimes impractical,
norms and bureaucratic procedures. Instead, they should be addressed at the
out-set as challenges that all researchers must grapple with, and with which
we can feel free to share our strategies and concerns.&lt;/p&gt;
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